there.

rewriting landscape.

 

Jeffrey Schrader

A History of Contemporary Art

 

[van] it is not for this committed suicide for are each hair of his brush nothing more than a painter but the existing painters is the one who [van gogh]’s paintings give me the impression of a world where finally his suns will have been not the whole history of what was one day called gave its ear to the body and that [van gogh] returned of his soul a woman to give body to the sinister illusion [gogh] the painter who understood the phenomenal side of the problem he for habitat the motive for the sin of humanity which never knew anything else but

[van] in order naturally everything can can exist without taking evil that watched over him natural sugared almond that was forming thousand summers there he died of this [van gogh] back to life compared to a a time when there was no soul no mind no consciousness no thought only raw elements alternately enchained and glows from every burst pore such is a [van gogh] landscape only perpetual struggle explains a peace that is only transitory just as [gogh]’s beautiful landscapes whirling and peaceful one day [van gogh]’s painting armed with health will return to toss the dust of a caged world into the air

[van] is the nard of truffles crows are there inciting exact moment that he was no longer contain then death the trees of [saint remy] the solitary cypress violent regression to a state of childhood forced amazing grip the water is blue not a water nature but who will give it back to him [van gogh] a madman let him who once knew how to look of the one with the soft hat painted by an extra-lucid [gogh] that face of a red-headed butcher inspecting and watching us scrutinizing how to scrutinize a man’s face with such overpowering strength dissecting its irrefutable psychology


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there 2006, 2007